Society to End Comic Book Adaptations

With the news that Youngblood, possibly one of the most forgettable super hero teams ever assembled, (I won't demean myself by inserting a hyperlink. You can search for it yourself if you wish, but be warned.)  is receiving it's own movie adaptation, I must pose the question: "When will it all end?"
How many comic book adaptations have already been created? How many have butchered the original material?
Today, I was thinking about the question why so many comic books are altered so dramatically for their feature film presentation, and thought that I had developed a formula proving that the fewer existing issues there are of a comic, the more true to the source material it will be. I would have cited, "V for Vendetta," which despite numerous changes and additions was still fairly true of the original. It would have been chosen due to the fact that it was taken from a relatively small collection of comics, but then I thought about the recent movie, "Wanted," which was also taken from a short series, but in no way resembled the original after about the first fifteen minutes of the movie. If you had gone into, "Wanted" after reading the comic, you would have said to yourself, "What the fuck, was that the movie?" The comic book was basically a knock-off of DC comics with parallels to many of their existing villains, who have secretly taken over the world and were in the midst of an internal war. The movie was about seeing 1/8" of Angelina Jolie's buttcrack. "V for Vendetta," on the other hand, allowed you to view the movie and say to yourself, "Oh, I remember that," and then a few scenes later, ask, "Where's the part about the dolls in the ovens?"
"Sin City," is the closest adaptation to date for a comic-turned-movie. You can take the graphic novel and follow along page-for-page as it progresses. "300" is a close second. "The Spirt," however, Frank Miller's third attempt at a "movie," breaks with this tradition and instead decides to follow nonsensical moodily-lit scenes of femme-fatales and Sammuel L. Jackson as a villain who's traditionally not supposed to show his face. "The Spirit" is one of those movies trying to cash in on a super hero's name while shitting on the original material. At that point, you have to ask, "Why make a movie about this character, when you can just create your own?" Ever try to make your own super hero? It's easy. They have video games where you can do just that. Why bastardize someone else's work, when there isn't a kid alive who knows who the fuck the Spirit is.
Do you think any kid is going to camped out for two days in line to see "Youngblood: The Movie," like they did with "Spider-Man?"
And what about Spider-Man? Three movies that moved progressively further away from the source material, even after separating themselves. Sure, there's over five hundred Spider-Man comics in existence, with issues from multiple series released each month dating back to 1963, so you have to update the character to a certain extent and condense it down into 2+ hours, but when you're countermanding material that was established in a movie release less than six years ago, with "Spider-Man 3" changing the story of how Uncle Ben died to include some B.S. about it being the Sandman, you're taking things too far.
Cannon is being erased with the concept of, "reset," the point at which whoever's in charge decides to throw away whatever they had and start fresh. Batman's been reset twice now in the movies, and the Hulk was the most recent.