Showing posts with label Netflix. Show all posts
Showing posts with label Netflix. Show all posts

Friday, August 17, 2012

Nettleflix

Occasionally, when I find that the movie I wanted to see on Netflix is not available, I’ll attempt to watch one of their infinite selection of B-list movies instead. I don’t get very far. The only thing these movies have going for them are titles dumb enough to be interesting, and box-art that looks like it was badly photo-shopped from a real movie.

Tonight, I half-watched 12% Nazis at the Centre of the Earth. 

In case you don’t know, Nazis are everywhere. They’re in Brazil, they’re at our beaches, and they’re on the moon. That’s why being Captain America is a full-time job. It stands to reason that there’s Nazis at the center of the Earth, just as there’s reason to believe there’s Nazis at the Center of Performing Arts. As a member of the viewing audience, I don’t need to know how they got there, I just need to see them being impaled on an American flag.

The movie has a few Nazis explosion in a DubyaDubya2 set prelude before advancing to the present day, where a group of yadda-yadda-yadda 20-somethings working at something-or-other have to go to the center of the Earth. I say all this because I don’t care about these people. They’re the same standard snarky nobodies who litter every B-movie, characters that exist simply to be killed one-by-one horror movie style, so why get attached in the first place? It’s not like they’re the cast of Scooby-Doo, although that’s exactly who they are.  I stopped watching just as they were about to go to the center of the Earth, so the suspense is killing me. I presume everything went okay. There were Nazis, but they weren’t all preachy about it. They had ice cream.

If you haven’t figured it out by now, B-Movies often deliver exactly what they advertise. That’s why 2 Headed Shark Attack has a two-headed shark attacking.

The 2 headed shark attacks in the first five minutes, where this box art takes place:

2-Headed Shark Attack Poster

There’s nowhere this movie can take you that’s really going to expand on that idea, ie. a 2-headed shark. Unless of course this happens:

Saturday, July 28, 2012

Fifty Shades of the Olympics

Am I the only one that noticed the Olympic opening ceremony contained Harry Potter/Marry Poppins Slash fiction?

Seeing them both on stage together made perfect sense. Marry Poppins, of course, is a witch. No one likes to talk about her being a witch, but she’s a straight up witch. I don’t know how she came about her magical powers. Maybe everyone in England is secretly magic, or maybe she fucked the devil. What’s important is that she fits seamlessly into the Harry Potter universe.

Which brings up the possibility of erotic fan fiction.

On the note of popular fictional characters fucking, Fifty Shades of Grey is a multi-million dollar selling series of novels. They’re also, by all accounts, terrible. I personally have no clue what the fuck they’re about. Like literally no idea. All I know is that it includes boning and it’s basically fan-fic. I don’t even know what characters it’s purportedly ripping off. Given recent trends, I’d assume Dracula, because hey, “Vampires.” It’d be far more awesome if it was Oscar Wilde’s character, Dorian Gray, then the title would make sense, although using one of history’s most renowned homosexual’s character in an erotic novel intended for hetero, idiot women would be a stretch.

I’m all for ladies masturbating, but about twenty years ago, I started writing a book at the tender age of twelve. It was called, “Shades of Grey,” so I’m a little bitter. You can buy a copy on Amazon for Kindle, in it’s unedited format. I assure you it predates the erotic novel, but be warned: it has nothing to do with penises going into vaginas, but you can interpret it however you wish.

Obviously, I’m missing out on millions of dollar by not tapping into the lucrative “fan-fic” market. There’s no such thing as good fan-fic, of course, so quality doesn’t matter. What matters is not being sued senseless by Time-Warner and Disney.

Well too bad, mega-corporations, because I’m about to tear you a new asshole!

Tentative titles for my work:

Marry Poppins VS. Voldemort:

The Sexoning

Sex Hex

The Whoreacruxes

Marry’s-a-Poppin’

Good God, how do I do it?

Possible lines of dialogue:

“What a big snake you have.”

“Use your Elder wand!”

“I’m going to sweep out your chimney.”

“Just spoonful of sugar make the medicine go down… on you!”

“Your ass is practically perfect in every way.”

“Not having a nose makes it easier for me to stay down there.”

“ENGORGIO!”

“Use the umbrella!”

“Let’s have a pee party on the ceiling.”

“Two points for Slytherin!”

Did you cum yet? Then see a doctor.

Monday, November 7, 2011

Gamer

I think Gamer is a movie a lot of people passed over when it first came out, even it’s own FPS playing target audience. Which is a shame, because it’s great satire. I know it’s not considered a satire, but that’s what it is. It’s a dead-on look at the video game generation, right down to their screen names. It takes current ideas of the most popular games and takes them to the natural conclusion of people controlling other people as their avatars. The outcome isn’t attractive. If you know anything about the actual habits of gamers, you’d know enough to be wary. In a Second Life style open world game, obese men who dip waffles into buckets of syrup before cramming it into their faces control female character and engage in what is essentially gay sex. A female actress goes up to a male actor and the two get it on, without any choice in the matter, because their minds are being controlled. That’s what people are doing all day long on Second Life. The only change is that the avatars are being replaced with flesh’n’blood people. Your average gamers would take great offense to being portrayed as overweight, perversion-obsessed shut-ins who live through their game characters, but they’ll tell you this in the comment sections, with their outdated anime pictures as their avatar, and never in person.

The main bulk of the movie, though, is a Death Race 2000 style game, with criminals fighting in a FPS for freedom. They’re being controlled by greasy teenagers who’re treated like rockstars. Now: the movie hinges on a Mike Zucherberg-style villain and his invention of mind controlling nanobot technology. He uses it on criminals not to make them more compliant, but instead to force them to do violence. Seriously, the same nanobots being used to make them kill each other gladiator-style could also make them perfectly docile and productive members of society. If you watched Shaun of the Dead where they eventually train the zombies to put shopping carts away, the same idea could apply to this movie. Criminals could hold jobs and have ideal lives, and the general public would never have to fear for their safety. The guy who killed your uncle could make your latte, and then you could spit in his face, and he’d just stand there and smile at you. Is that a type of slavery? Yes, but less so than the one illustrated in the movie. After all, it’s just a lousy plot device to get people to kill each other.

The movie actually takes great pains to show how the participants are, for the most part, completely unwilling to take part in the bloodshed. Avatars have total mental breakdowns after each session, while the players look at their fans’ teenaged boobs on webcam. Only one dude is really into it, and he’s a psychopath rival to the hero. They’re all supposedly fighting for their freedom, which is exactly like Death Race 2000, especially since that promise is complete bullshit. You have to feel sorry for the characters in the movie who fall for it. Do you think they’d let the world’s most deranged killing machine free, after proving himself to be virtually indestructible? On the other hand, they use to do it in Ancient Rome.

The whole scheme seems like it would cost everyone involved a lot of money. Having your own human slave with accessories can’t be cheap. The one fat dude was living in the dingiest apartment imaginable, but he could still somehow afford a glamorous female avatar. The FPS player had an entire room that was a virtual projection screen, and he could afford new weapons and armour for his avatar to use in-game. Plus when your character dies in the game, you’re basically fucked. Imagine if you had to pay every time you respawned.

I was watching the movie, and I thought to myself, “This movie could use more Ludacris.” Then, Ludacris came on. That automatically makes this the best movie ever, because you know Ludacris would never attach himself to anything terrible.

Oh, wait.

There’s honestly not enough movies out there with rap stars in them.

Then we find out that Ludacris can hack anyone’s mind control nanobots and download useful apps. He could have gone mainstream and made a killing with his “Walkie-Talkie” program that lets two people talk to each other using only their brains. But no, he decided to take on an evil corporate empire by freeing one guy out of hundreds of potentially sympathetic victims. That didn’t turn out too well for him. Or he could have just hacked everyone’s mind with a virus and put a stop to the game that way by giving them their free will back.

There’s a lot of stupid plans in the movie. Like the bad guy having his team of elite killers perform a song and dance number, then let them be killed one-by-one. Then he challenges the deadliest man in the world to a game of basketball. Or the whole escape plan that involved the hero drinking himself stupid, then throwing up and urinating into the fuel intake of a truck to power it. For some reason, he couldn’t bring the bottle with him. He had to drink it, then pee it out. And somehow it was still potent enough to fuel a truck for a daring escape through an exploding city. He had someone sneak booze into his locker, which is in a maximum security detention centre. He could have just had the person fill up the truck with some fuel, which is in an unguarded garage. Was he so certain the truck was empty to begin with? In the same act, there’s a vehicle that a player uses to run over some chick in the street, so obviously there’s cars with fuel, and they’re easily accessible.

There’s people in the game that are there for the sole reason to get blown up. They’re just there for decoration. They walk mindlessly though the killing fields and get run over or turned into swiss cheese. On some level, they agreed to that. One of them is John Leguizamo, though, so it makes it okay.

Then the hero, who claims to be innocent in everything he’s done, and apparently abhors the violence forced upon him, breaks the spine of another avatar he catches about to have sex with his wife. The avatar is a completely unwilling participant, and a paid actor. Essentially, he’s being raped, and the hero knows this. But he sees a dude about to bang his wife, who’s basically a hooker anyway, and he kills him with a backbreaker. It completely goes against every other theme of the movie. If he was innocent up until then and just killing to survive and find his freedom, he completely blew it with an act of Second-Degree murder. If you catch yourself over-thinking that scene, though, you probably would have turned off the movie by now. That’s what’s so messed up about the whole movie. It brings up all these ethical sci-fi questions and then shits all over them.

Sunday, November 6, 2011

The Fog

So I watched The Fog on Netflix two days ago. I’m not going to shit all over the movie with a bad rating, because what’s one more drop of urine in a sewer?But I am going to say this:

I’ve never seen so many people thrown through windows. Like: never.

The first two chicks the ghost fog kills are thrown through the windows of the boat they’re on. Like that’s supposed to be scary, or something. At that point I could shrug it off, but then it keeps happening. Superman’s driving around town, and suddenly his windshield gets smashed in for some reason I didn’t really pay attention to very well, because it’s The Fog. Then, later, the fog throws the MILFy chick in the suit through the window, which is survivable, but apparently she didn’t. It’s kind of weird, because they didn’t even show the fog doing it. She’s just standing next to the window as the fog rolls in, and then she goes blasting through it. Then some priest dude is standing in between two glass display cases, and they explode, then the glass goes flying around and pierces right through him. So it’s like a Yakov Smirnov routine where, “In Soviet Russia, glass is thrown through you!” Then the mayor, who’s kinda blameless in the whole ghost fog revenge scheme, get thrown through the window.

One of the main plans by the people in the movie trying to escape the fog was to hide inside buildings and shut the windows. I guess the fog didn’t really like that idea, and tried to make his feelings known the best way he knew how.

The smashing glass actually relates back to the scene where the ghosts in the fog were dying (the first time) and they’re punching their hands through the portholes of their boat to escape a fire. It makes more sense, then other means of murder. Fire, honestly, would make more sense, but the fog does light the mayor on fire. Honestly, I don’t understand how burning to death on a boat turns you into a ghost fog. But think about the Friday the Thirteenth movies where Jason drowns, then starts killing teens with chainsaws and lawnmowers and machetes and shit. Shouldn’t he be drowning them? I mean the lake is right there, and we know he’s an undead zombie who doesn’t need to breathe. It seems like looking for all these sharp implements in the forest takes up a lot of his time.